The
Eucharistic Banquet:
While Presentation of the Gifts and their Offering are connected
intimately with each other, as parts of the Eucharistic
sacrifice, breaking the Bread and giving it with the Chalice are
connected together liturgically, and in accordance with the
sample shown to us in the Passover Supper, being parts of the
communion.
Jesus Broke
: The Breaking and Signing Rite
a)
Purification of the hands and the heart with the incense:
The celebrant was requested to purify his hands before his
access to the altar, hence before touching the offerings, now
that he will have to hold the consecrated hosts he must purify
his heart with penitence and his hands with incense that
signifies the forgiving divine love of sweet fragrance;
following this preparation, the celebrant makes his ceremonial
approach to break and sign, facing the congregation.
b) While the
Presentation of the Gifts and the Anaphora, i.e. the Offering of
the them, are performed with the face of the celebrant to the
cross, the text of the ancient ritual allows us to perform the
Breaking and Signing Rite facing the congregation, for
while the Rite of Consecration is the act whereby the Sacrifice
of Christ is offered to the Father through Christ, who is
liturgically represented by the cross, the Breaking Rite does
not take the form of a prayer, but it is a sacramental
representation of the breaking of Christ’s Body that was done
for the sake of the Church – “this is my Body, which will be
broken for you.” In fact, the words that accompany the
breaking and signing are not in the style of an invocation but
in the form of an explanation of the act. Therefore, in full
harmony with the ancient text, the celebrant should do a
ceremonial approach to the eastern side of the altar and perform
the Breaking and Signing in front of the congregation,
representing liturgically the death and the resurrection of the
Lord.
c) With the
Invocation to the Holy Spirit, the consecration is perfected,
thus, the bread is no more mere bread but the body of the Lord,
and the wine in the chalice is no more mere wine but the blood
of the Lord; the real presence of the Lord in each of them is
manifested and declared. Therefore, the Chaldean rite performs,
immediately after, what the Lord did in the Paschal Supper when
he broke the bread to signify what will happen to his body
factually on Friday of the Crucifixion, when all his body was
tortured and his blood was profusely shed for the remission of
our sins. Then, to liturgically commemorate the resurrection of
the Lord, when his humanity was fully restored and was
glorified, being united to his divinity, the Chaldean rite signs
the consecrated hosts with each other clearly signifying the
liturgical readiness of the consecrated Qurbana for the
Holy Communion.
d) The
meaning of the incensement at this moment of the liturgy is in
connection with the Resurrection, i.e. to commemorate how the
devout ladies brought spices to apply them upon the body of the
Lord; indeed, after the Signing no more incensement is allowed
around the altar, because the sacramental body and blood of the
Lord are, after the double signing, declared as expressing the
state of the living and glorious Lord.
e) The ‘Onytha
of the congregation expresses the awareness of the faithful
regarding the liturgical act and its meaning, in participation
with the heavenly worship of the celestial hosts.
Jesus Gave:
The Communion Rite
After the
Sanctification and the Breaking and Signing, the Mysteries are
ready for Communion, but the purification of the heart and of
the mind is properly required at this moment. Consequently, the
deacon will address an admonition expressing first of all the
basic creed of our Faith, then inviting the congregation to a
genuine repentance and reconciliation. In order to prepare all
the participants to receive “the Holy”, a priestly prayer for
God’s forgiveness follows immediately; the community then
together prays the Lord’s Prayer asking particularly for the
“Daily Bread,” in order to receive Holy Communion as a divine
gift.
Historical context of the Insertion of “Let us
all approach” (Kollan b-dihiltha)
With the rejection of the Council of Chalcedon (A.D. 451) by
many Syrians, and the campaign that Bishop Jacob Boradai
conducted to establish a Monophysite Church west and east of
Euphrates, the Mesopotamian Hierarchy felt it appropriate to
formulate an expression of orthodox faith before Communion, in
addition to the penitential act. The Karozutha “Let us
all approach” was therefore added as a doctrinal and
penitential preparation to Communion. Two synods confirmed
its permanent status in the Mass: the Synod of Mar Sabrysho’
(A.D. 596) and of Mar Gregory (A.D. 605), and it was somehow
blended with the sequent penitential formula that predated it,
i.e. “O Lord, forgive the sins…” (Marya hassa htahe...),
and with priestly prayer for forgiveness that follows.
The Lordly
Prayer:
All Eucharistic liturgies place the Lordly Prayer
before and very close to the Communion; because it asks for
forgiveness and for the daily bread. Moreover, the Chaldean
Rite situates it within two formulas, an introduction and one
collect to distinguish it from other prayers of ecclesial
composition; while reciting it, the fitting ceremonial composure
is to have both hands--of the celebrant and assemble--extended
forward, in the manner of supplication, looking together to the
one heavenly Father.
Final
Invitation:
a)
Celebrant: “The
Holy is fitting (to be given) to the holies (who are living) in
the concord”; this is an acclamation, shared by all the eastern
liturgies, announced here by the celebrant, whose meaning is not
easy to understand, but it could be well suitable to signify: a)
only those who are holy may dare approach the banquet of the
Lord; b) a person who is in peace and concord with his
surrounding is the one that is made ready, by the grace of God,
to receive the Lord.
b)
Assembly:
The common ‘Onytha d-Raze “Paghreh
daMshyha, must be allocated here, instead of being at the
Presentation section, being the popular expression of this
liturgical moment and its implications; therefore the Hosts are
treated in the ‘Obytha as already consecrated; the basic
message is the following: the banquet is made ready, come then
and approach, in a heavenly celebration and participation!
c)
Celebrant:
with the loud announcement: “The graceful gift…” he presents the
spiritual food of immortality to all the true faithful.
d)
Deacon:
as a herald of the Church, in the name of the Church, reiterates
the same invitational message “O ye come receive the body of the
Son….”
The Communion:
Communion of
the Clergy:
1) Only the celebrant and the attending bishops
and priests may receive Communion at the altar. 2) Only the main
celebrant, be he bishop or priest, may self-communicate; that
is, even an attending or con-celebrating priest or bishop must
be “given” the Sacred Host and Cup, and may not directly take
either one, reflecting the reality that Communion is a Gift or
mawhawtha. 3) The Communion of the rest of the clergy
should take place off to the side of the altar or at the
threshold of the qanke.
Communion of
the faithful:
The faithful shall receive communion at the foot of the Qanke.
The proper eastern way is: a) to have the faithful, first,
purified the hands with the incense that should be place in the
vicinity; thus, churches are encouraged to make this ceremonial
purification available whenever possible; b) to place the right
hand on top of the left to receive the Holy in the palm; c) each
one to receive it directly from his/her right hand’s palm with
the inclination of the head; d) regarding the Chalice, the
faithful will be given to drink from the Chalice, everyone
individually. Today, for many practical reasons, receiving
communion directly from the hand of the Eucharistic Minister to
the mouth is proper as well; it is also admissible to receive
communion of both hosts in the mouth, being joined together
through intinction.
Congregational Hymn, Diaconal acclamation, and Priestly Prayers
of Thanksgiving:
Several liturgical pieces, uttered by all the ranks of the
faithful, follow the communion; all of them expressing the
immense gratitude to God the Father and the Son Redeemer, for
the divine gift that was given to mortal men as a leaven of
immortality and eschatological glory.
Final
Glorification:
The initial glorification of the Lordly Prayer, as expanded by
the Fathers of the Chaldean Rite on the theme of Qaddysh,
is not only the opening popular acclamation of the Eucharistic
liturgy, but the concluding one as well, thus to be considered
as the liturgical frame of the whole celebration, so that the
whole act of worship is summarized in one fundamental attitude
of the redeemed creature toward the Trinity: to raise a hymn of
glory, and live accordingly.
Finale
Blessing:
It is fashioned in accordance with the image of the Lord
blessing his disciples when departing to heaven at the moment of
the Ascension; that scene in mind, the Chaldean liturgy
formulates the final imploration, asking the blessing of Lord
Jesus upon his people, and the protection of his cross over
their lives and endeavors forever.